WYSIWYG

What You See Is What You Get. This is a journal blog, an explore-blog, a bit of this and that blog. Sharing where the mood takes me. Perhaps it will take you too.

Menkreatikkul; Saturday Stitches


One WIP that has been haunting me somewhat has been the Timelines Dupatta. It was going very well up until July... In August, I returned to Dunoon, with all the summer distraction that implies. Hook and yarn did not get lifted that entire month. In September, as I worked my way down to the visit in the Lake District, I managed a swatch of twenty rows to try and catch up. 

That was it until my conscience finally kicked in just before Christmas. I determined that, once my festive tunic was done, this would be the next FO (finished object). Before 2026 kicked in. That would mean not only making up for the nearly four months (remember, it was to be a row per day...), but also I decided it would not stretch into the remaining four months for the originally planned year-long project. This also made me reassess that plan, as (and this may have been one of the reasons that I stopped working it) I realised that to make the full number of timelines (the black rows) up to 66, I'd have a hall runner length, which would have been next to unwearable!

By some decree of fortune/fate, when I picked the work out of its bag on Christmas Eve, on counting the work to that point, I found a total of hdc (UKhtr) rows was.... wait for it... 66! That's all-inclusive, so the timelines numbered 11. Pure fluke. Okay... so let's do two more swatches of 66/11 rows, one section in single (UKdc), and the other section in double (UKtr) stitching.


Now, the other part of the plan was to be as random as possible with the colour choices, this being an odds-and-sods stash-buster project. This was no problem when doing the daily work as intended. Sitting at it for hours at a time, though, this slipped a bit, as you can see from the photo above. I did fall into my natural colour-wheel tendency for about four panels. No matter. I caught myself and reverted to deliberate randomness after that, and, in fact, that little section serves to emphasise the greater part of the work.

Switching colours every row would have become excessively tedious if I had been forced to continue with my snips. Picking them up. Putting them down. Once a day was fine, but twenty rows at a time, nope. So when my new little bag of crochet hooks arrived (I just wanted another set with the soft grip handles which I have grown to love), it brought with it a little vial of metal bodkins (blunt-nosed needles, something I have wanted for ages and was a pleasant surprise) AND, a finger scythe, both as 'gifts' in the purchase. This little thing was a game-changer for this multicoloured work!!!


Life was a whole lot easier with that to cut the yarns. Cannot recommend it highly enough. 

Anyway, just in time for Hogmanay, I completed the Timelines Dupatta, at half the number of black lines originally intended, but with three sections of 66 rows with different stitches, bordered with long double/treble, resembling blanket stitch, used to disguise the ridiculous number of 'tails' from all that cut and change. The rustic wrap is exactly what I wanted, and it is so soft and drapey and cuddly, and I shall have many happy hours wearing this!




Menoturals; Cattle Crew

Joining in with the LLB gang for Nature Friday, with the second in my miniseries on cattle breeds shown at Westmoreland.

You may recall in the Art Vibe series, there was a painting with an oversized bull depicted. That was boastful... but there is a breed from France that comes close to being exactly what that image displayed. Meet the Limousin (limb-ooh-sun)...


It is thought that this breed has some of the closest resemblance to the Aurochs that once roamed Europe and are depicted on many cave paintings. It is bred entirely for its meat production, and the great majority of the beef in the UK market (at least) is derived from Limousin stock. This is not what you would call an attractive breed, but it certainly fulfils the utility for which it is farmed.

Working with cattle always demands respect from the farmer, but this breed has been much engineered to bring in docility, which is essential for such a large beast. Handling from the calf stage on a regular basis, right through to breeding and showing, ensures building bonds of trust between handler and animal. 


Menoot; A Boomerang Post

There had been plans for visitors, but as we all know, the best laid of voles and women, or something like that! Mac1 (whose birthday was yesterday) called last Friday to say it would have to be postponed as she had landed hard on the pavement earlier in that first week, resulting in damage to her left arm and shoulder. Then Aitch, who'd been aiming to join us, took the nasty winter cold that is doing the rounds, as well as beginning to be leery of the deteriorating weather (it has been wild since the new year), so after a natter on Sunday, we decided best to err on the side of caution.

So let me today share with you what was posted five years ago on this date...